Steve Loomis, the Cleveland police union president, said the union does not condone a crime-scene photo being posted on the Internet.
But officers have legitimate reasons to take pictures of crime scenes in order to recall what they saw, he said. Emerick took other images that were not posted.
Lesli Catsouras hasn't opened her e-mails in weeks.
Her husband, Christos, dreads having to use the Internet – fearful of what he accidentally may see.
They have banned their daughters – ages 15, 13 and 8 – from going online.
Losing oldest daughter Nikki, 18, in a car crash on Halloween has been hard enough on the Catsouras family.
Now, their heartache is compounded by outrage.
Graphic accident-scene photos, including close-up shots of Nikki, who suffered massive head trauma, have been leaked onto the Internet.
The images have turned up on hundreds of Web sites and in countless chat rooms and e-mails – from Australia to Italy. The photos often are accompanied by debates about the merits of the images, with many viewers even vilifying the dead teen.
"We're still just starting to deal with Nikki's death, and now this," said Christos Catsouras, 43. "People are sick."
The family blames the leak on the California Highway Patrol, the agency that is investigating the crash. The family has filed a claim against the state as a precursor to a civil lawsuit. The CHP is investigating.
As they continue to grieve, members of the Catsouras family also find themselves struggling to restore some dignity to Nikki's memory – and facing seemingly insurmountable odds to establish some decency in the sometimes insidious, unforgiving grip of the Internet.
The photos are so pervasive, Nikki's 15-year-old sister has stopped going to school out of fear of opening her locker and seeing a photo of her dead sister. She now is being home schooled.
A 12-year-old neighbor who accidentally saw the images is seeing a counselor, according to Christos Catsouras.
Some people have anonymously sent cruel, taunting e-mails to Nikki's relatives – including one to her father that read, "From Dead Girl Walking: Woo Hoo Daddy, I'm Alive."
While we might question what kind of person would want to watch such a gruesome spectacle, I suggest there are reasons why we should at least consider making the footage available to the public. Steve Irwin was a well-known public figure, whose popular TV shows regularly drew large audiences.
His death occurred while he was in the process of filming another documentary - hence the existence of the footage in question. The life and death of a public figure are - naturally - of public interest. This is particularly the case when a person is well-known because of the risks he takes.
Up till now we have witnessed Irwin sporting with crocodiles, poisonous snakes and tarantulas, always emerging unscathed and as lively as ever. The footage of Irwin's final film can in itself be regarded as a necessary part of our education: these animals are dangerous, and fooling around with them can be deadly.
Even if his entourage gives the green light and the tape is released - and many believe this last event will inevitably happen - there remains a question of personal morality. Should you, the viewer, watch the footage?
Why watch?
The answer depends on your motives. Are you a marine biologist or ethologist (someone who studies animal behaviour) eager to understand the defensive behaviour of a frightened stingray? Are you a cardiologist or toxicologist interested in aspects of the injury itself?
Before watching the footage, we should ask ourselves: why do I want to watch this? I suspect many people would answer "for entertainment" or "out of curiosity".
Is there not something discomforting about these answers? Do they not reflect a morbid desire to witness a fatal tragedy? Sometimes our instinctive "yuk" response to an event or suggestion is not based on reason but on deep-rooted prejudice or ignorance.
This time, the "yuk" is more firmly grounded. It is a mistake to say that watching the clip in private would harm no one, as the event has already occurred.
It may well harm the watcher, whose humanity and moral sensibility will suffer. Irwin's passion for nature and his exuberance leapt out of the screen. Let that memory remain, and let the footage of his pierced heart disappear with the stingray into the depths of the ocean.
For its part, Discovery Communications, the network where Irwin became a star, said there was absolutely no truth to rumors that the footage, now in possession of police in Queensland, Australia, might be released.
But that doesn't mean there aren't concerns that someone could attempt to get their hands on it and publicize it for lurid means — or just to show they had it. That, said media analyst Martin Kaplan, would be tantamount to a snuff film.
Irwin's manager and close friend, John Stainton, had the painful experience of watching the videotape where Irwin pulls the stingray barb from his chest. He called it "shocking."
"It's a very hard thing to watch, because you are actually witnessing somebody die, and it's terrible," he told reporters.
Samuel G. Freedman, who teaches a media ethics class at the Columbia University Graduate School of Journalism, says the issue is "whether there is any compelling public interest" in the release of something so shocking as footage of a death. Here, he says, there clearly isn't.
"The lay person is not going into the water trying to have encounters with stingrays," Freedman said. "It would be purely titillation and necrophilia if anyone were to show this."
"Only in the sense that there's a race for the bottom in our culture," Kaplan says. "This will take substantial vigilance on the part of the family."
Back when I was researching the "Gore for Porn" story I signed up to the site to see what I could find, which was not much. Anyway now that Gorenographer Chris Wilson is behind bars I received this e-mail...In case you have not already heard, due to the recent national media attention relating to the war pictures local law enforcement decided to arrest Chris. If you would like to know more please visit (website removed) At this time he is asking for your help in the form of donations towards his legal fund. The minimum donation is $2. Thanks for all of your support and all donations will go a long way in fighting this injustice.
Lindsey (Good friend of Chris')
Wilson, of Lakeland, Florida, said the military hasn't contacted him about the postings or the anonymous posters and he doesn't "suspect they'd have reason to."
"It would be a matter of free speech," he said. "Since I'm not a member of the military, I'm not bound by the laws of the military."
"I struggle to understand why you had images on your phone entailing the death and degradation of another human being, regardless of their religion or race."
At Wilson's Web site, you can see an Arab man's face sliced off and placed in a bowl filled with blood. Another man's head, his face crusted with dried blood and powder burns, lies on a bed of gravel. A man in a leather coat who apparently tried to run a military checkpoint lies slumped in the driver's seat of a car, his head obliterated by gunfire, the flaps of skin from his neck blooming open like rose petals. Six men in beige fatigues, identified as US Marines, laugh and smile for the camera while pointing at a burned, charcoal-black corpse lying at their feet.
The captions that accompany these images, which were apparently written by the soldiers who posted them, laugh and gloat over the bodies. The soldier who posted a picture of a corpse lying in a pool of his own brains and entrails wrote, "What every Iraqi should look like." The photograph of a corpse whose jaw has apparently rotted away, leaving a gaping set of upper teeth, bears the caption "bad day for this dude." One soldier posted three photographs of corpses lying in the street and titled his collection "DIE HAJI DIE." The soldiers take pride, even joy, in displaying the dead.
One of the pictures on Wilson's site depicts a woman whose right leg has been torn off by a land mine, and a medical worker is holding the mangled stump up to the camera. The woman's vagina is visible under the hem of her skirt. The caption for this picture reads: "Nice puss -– bad foot."
"The government cannot be allowed to hinder the free flow of information," said CNN journalist Anderson Cooper. "That's what we say in the lawsuit."
But on Tuesday, FEMA refused to take reporters and photographers along on boats seeking victims in flooded areas, saying they would take up valuable space need in the recovery effort and asked them not to take pictures of the dead.
In an e-mail explaining the decision, a FEMA spokeswoman wrote: "The recovery of victims is being treated with dignity and the utmost respect and we have requested that no photographs of the deceased by made by the media."
"It's impossible for me to imagine how you report a story whose subject is death without allowing the public to see images of the subject of the story," said Larry Siems of the PEN American Center, an authors' group that defends free expression.
Rebecca Daugherty of the Reporters Committee for Freedom of the Press found this stance inexplicable.
"The notion that, when there's very little information from FEMA, that they would even spend the time to be concerned about whether the reporting effort is up to its standards of taste is simply mind-boggling," Daugherty said. "You cannot report on the disaster and give the public a realistic idea of how horrible it is if you don't see that there are bodies as well."
FEMA's policy of excluding media from recovery expeditions in New Orleans is "an invitation to chaos," according to Tom Rosenstiel, director of the Project for Excellence in Journalism, a part of Columbia University's journalism school.
"This is about managing images and not public taste or human dignity," Rosenstiel said. He said FEMA's refusal to take journalists along on recovery missions meant that media workers would go on their own.


